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Fuchs Twelve Caprices #1
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Allegro giusto
  • Bow stroke  »  Accents -- see measure 4:
Fuchs Twelve Caprices #1
Fuchs Twelve Caprices #1
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Allegro giusto
  • Bow stroke  »  Accents -- see measure 19:
Fuchs Twelve Caprices #1
Fuchs Twelve Caprices #1
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Allegro giusto
Fuchs Twelve Caprices #1
Fuchs Twelve Caprices #2
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G minor. Deciso
Fuchs Twelve Caprices #2
Fuchs Twelve Caprices #2
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G minor. Deciso
Fuchs Twelve Caprices #2
Fuchs Twelve Caprices #3
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
D Major. Commodo
  • Bow stroke  »  Accents -- see measure 3:
Fuchs Twelve Caprices #3
Fuchs Twelve Caprices #3
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
D Major. Commodo
Fuchs Twelve Caprices #3
Fuchs Twelve Caprices #4
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
F-sharp minor. Agitato
  • Bow stroke  »  Accents -- see measure 5:
Fuchs Twelve Caprices #4
Fuchs Twelve Caprices #4
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
F-sharp minor. Agitato
  • Bow stroke  »  Spiccato -- see measure 2:
Fuchs Twelve Caprices #4
Fuchs Twelve Caprices #4
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
F-sharp minor. Agitato
  • Bow stroke  »  Staccato -- see measure 1:
Fuchs Twelve Caprices #4
Fuchs Twelve Caprices #4
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
F-sharp minor. Agitato
Fuchs Twelve Caprices #4
Fuchs Twelve Caprices #4
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
F-sharp minor. Agitato
Fuchs Twelve Caprices #4
Fuchs Twelve Caprices #5
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
E Major. Allegretto amabile
  • Bow stroke  »  Accents -- see measure 25:
Fuchs Twelve Caprices #5
Fuchs Twelve Caprices #5
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
E Major. Allegretto amabile
Fuchs Twelve Caprices #5
Fuchs Twelve Caprices #6
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
C minor. Mormoramente
Fuchs Twelve Caprices #6
Fuchs Twelve Caprices #6
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
C minor. Mormoramente
Fuchs Twelve Caprices #6
Fuchs Twelve Caprices #7
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
B Major. Giocoso
  • Bow stroke  »  Accents -- see measure 6:
Fuchs Twelve Caprices #7
Fuchs Twelve Caprices #7
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
B Major. Giocoso
Fuchs Twelve Caprices #7
Fuchs Twelve Caprices #8
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E minor. Lesto
Fuchs Twelve Caprices #8
Fuchs Twelve Caprices #8
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E minor. Lesto
Fuchs Twelve Caprices #8
Fuchs Twelve Caprices #8
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E minor. Lesto
Fuchs Twelve Caprices #8
Fuchs Twelve Caprices #11
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
D-flat Major. Risoluto
Fuchs Twelve Caprices #11
Fuchs Twelve Caprices #11
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
D-flat Major. Risoluto
Fuchs Twelve Caprices #11
Fuchs Twelve Caprices #12
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B minor. Perpetuum mobile
Fuchs Twelve Caprices #12
Fuchs Twelve Caprices #12
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B minor. Perpetuum mobile
Fuchs Twelve Caprices #12
Fuchs Twelve Caprices #12
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B minor. Perpetuum mobile
Fuchs Twelve Caprices #12
Knox Spaces #1 (Beside the bridge)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Fast and light. Metronome: Quarter note = 132
  • Bow stroke  »  Less common bow strokes 
     
    The idea in this piece is to use a fast light bow very near the bridge, with almost no downwards pressure, with the aim of bringing out the high harmonics of the notes. (Knox)
Knox Spaces #1 (Beside the bridge)
Knox Spaces #1 (Beside the bridge)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Fast and light. Metronome: Quarter note = 132
Knox Spaces #1 (Beside the bridge)
Knox Spaces #1 (Beside the bridge)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Fast and light. Metronome: Quarter note = 132
  • Bow stroke  »  Less common bow strokes -- see measure 25:
     
    Irising: Start the note a little more "normally" (but quietly) then doing the cresc entirely with bow speed moving in towards the bridge with a very fast light bow searching to split the note and to reveal some of the spectrum of harmonics hidden inside it. (Knox)
Knox Spaces #1 (Beside the bridge)
Knox Spaces #1 (Beside the bridge)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Fast and light. Metronome: Quarter note = 132
  • Bow stroke  »  Less common bow strokes -- see measure 55:
     
    Facing the fear of 'falling over the other side'. Bow pressure remains light. (Knox)
Knox Spaces #1 (Beside the bridge)
Knox Spaces #1 (Beside the bridge)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Fast and light. Metronome: Quarter note = 132
  • Bow stroke  »  Less common bow strokes -- see measure 69:
     
    Heavy weight: Cresc are extreme and at the last minute. (Knox)
Knox Spaces #1 (Beside the bridge)
Knox Spaces #2 (Ghosts)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 44
Knox Spaces #2 (Ghosts)
Knox Spaces #2 (Ghosts)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 44
  • Bow stroke  »  Less common bow strokes 
     
    The bow stroke should be fast and light, skating over the surface of the string with a breath-like quality, and always pianissimo. (Knox)
Knox Spaces #2 (Ghosts)
Knox Spaces #2 (Ghosts)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 44
  • Bow stroke  »  Less common bow strokes 
     
    Using a fast light bow to produce sounds full of air, like a flute. See composer's illustration for bow placement. (Knox)
Knox Spaces #2 (Ghosts)
Knox Spaces #2 (Ghosts)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 44
  • Bow stroke  »  Less common bow strokes -- see measure 1:
     
    Just outside the bay formed by the 'waist' of the viola. X below stave indicates C string side, X above indicates A string side. (Knox)
Knox Spaces #2 (Ghosts)
Knox Spaces #3 (One finger)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Eighth note = 96
  • Bow stroke  »  Less common bow strokes -- see measure 39:
     
    Technique which pianists use where notes overlap i.e. start the new note before leaving the old. (Knox)
Knox Spaces #3 (One finger)
Knox Spaces #3 (One finger)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Eighth note = 96
Knox Spaces #3 (One finger)
Knox Spaces #5 (Rapid repeat)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 108
Preparation for Luciana Berio's "Sequenza VI".
Knox Spaces #5 (Rapid repeat)
Knox Spaces #5 (Rapid repeat)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 108
Preparation for Luciana Berio's "Sequenza VI".
Knox Spaces #5 (Rapid repeat)
Knox Spaces #5 (Rapid repeat)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 108
Preparation for Luciana Berio's "Sequenza VI".
Knox Spaces #5 (Rapid repeat)
Knox Spaces #5 (Rapid repeat)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 108
Preparation for Luciana Berio's "Sequenza VI".
  • Bow stroke  »  Tremolo 
     
    Crossing the line between measured and unmeasured is one of the main concerns of this study. (Knox)
Knox Spaces #5 (Rapid repeat)
Knox Spaces #5 (Rapid repeat)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 108
Preparation for Luciana Berio's "Sequenza VI".
  • Bow stroke  »  Tremolo -- see measure 15:
     
    Crossing the line between measured and unmeasured is one of the main concerns of this study. Accents on unmeasured tremolo are an aid to the gesture of throwing the hand and leaving it relaxed. (Knox)
Knox Spaces #5 (Rapid repeat)
Knox Spaces #5 (Rapid repeat)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 108
Preparation for Luciana Berio's "Sequenza VI".
  • Bow stroke  »  Tremolo -- see measure 116:
     
    The tremolo should move over the strings in a kind of upwards and downwards arpeggio movement. This section is a good preparation for Berio's Sequenza VI. (Knox)
Knox Spaces #5 (Rapid repeat)
Knox Spaces #5 (Rapid repeat)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 108
Preparation for Luciana Berio's "Sequenza VI".
  • Bow stroke  »  Tremolo -- see measure 142:
     
    The stroke starts by throwing the bow as in ricochet then immediately picking up and continuing the bounce with an oscillating tremolo over two strings. (Knox)
Knox Spaces #5 (Rapid repeat)
Knox Spaces #6 (Harmonic horizon)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Slow, very free. Metronome: Quarter note markings range from 40 to 120.
  • Bow stroke  »  Less common bow strokes 
     
    Harmonics always need a slightly faster, lighter bow, and work best near the bridge. (Knox)
Knox Spaces #6 (Harmonic horizon)
Knox Spaces #6 (Harmonic horizon)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Slow, very free. Metronome: Quarter note markings range from 40 to 120.
Knox Spaces #6 (Harmonic horizon)
Knox Spaces #7 (In between)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Tranquillo, rubato. Metronome: Quarter note = 50
Knox Spaces #7 (In between)
Knox Spaces #8 (Up, down, sideways, round)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 80
  • Bow stroke  »  Less common bow strokes -- see measure 1:
     
    Drop the bow vertically onto the string at the point to make a very short bright sound. (Knox)
Knox Spaces #8 (Up, down, sideways, round)
Knox Spaces #8 (Up, down, sideways, round)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 80
Knox Spaces #8 (Up, down, sideways, round)
Knox Spaces #8 (Up, down, sideways, round)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 80
  • Bow stroke  »  Less common bow strokes -- see measure 13:
     
    Throw the bow onto the string and let it bounce. (Knox)
Knox Spaces #8 (Up, down, sideways, round)
Knox Spaces #8 (Up, down, sideways, round)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 80
  • Bow stroke  »  Less common bow strokes -- see measure 17:
     
    "Pan-pipe effect": Vertical stroke but done poco ponticello and with a small sideways movement. (Knox)
Knox Spaces #8 (Up, down, sideways, round)
Knox Spaces #8 (Up, down, sideways, round)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 80
  • Bow stroke  »  Less common bow strokes -- see measure 21:
     
    'Brushing.' Move the bow along the length of the string going from ponticello to tasto and back (with no sideways pull), giving a 'wiping' sound (very little pitch). Much used by Italian composer Salvatore Sciarrino. (Knox)
Knox Spaces #8 (Up, down, sideways, round)
Knox Spaces #8 (Up, down, sideways, round)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 80
  • Bow stroke  »  Less common bow strokes -- see measure 33:
     
    Like spazzolato but incorporating a sideways pull (like a normal bowing) giving a circular movement to the bow and producing small accents, a little like a helicopter. (Knox)
Knox Spaces #8 (Up, down, sideways, round)
Knox Spaces #8 (Up, down, sideways, round)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 80
  • Bow stroke  »  Less common bow strokes -- see measure 49:
     
    Time should be spent looking at how to roll the bow over. The rolling of the thumb is an excellent bow exercise. (Knox)
Knox Spaces #8 (Up, down, sideways, round)
Knox Spaces #8 (Up, down, sideways, round)
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Metronome: Quarter note = 80
  • Bow stroke  »  Less common bow strokes -- see measure 68:
     
    Helicopter effect: Combination of spazzolato and circular bowing, at the heel of the bow. The bow could be held almost in the fist of the hand, to get extra pressure and weight (and lots of bow noise!). (Knox)
Knox Spaces #8 (Up, down, sideways, round)
Kreutzer #1
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
D minor. Adagio sostenuto
Kreutzer #1
Kreutzer #1
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
D minor. Adagio sostenuto
Kreutzer #1
Kreutzer #2, all variations
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, all variations
Kreutzer #2, variation 1
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 1
Kreutzer #2, variation 2
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 2
Kreutzer #2, variation 3
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 3
Kreutzer #2, variation 4
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 4
Kreutzer #2, variation 5
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 5
Kreutzer #2, variation 5
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 5
Kreutzer #2, variation 6
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 6
Kreutzer #2, variation 7
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 7
Kreutzer #2, variation 8
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 8
Kreutzer #2, variation 8
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 8
Kreutzer #2, variation 8
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 8
Kreutzer #2, variation 9
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 9
Kreutzer #2, variation 9
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 9
Kreutzer #2, variation 9
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 9
Kreutzer #2, variation 10
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 10
Kreutzer #2, variation 10
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 10
Kreutzer #2, variation 11
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 11
Kreutzer #2, variation 13
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 13
Kreutzer #2, variation 13
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 13
Kreutzer #2, variation 15 (pg 2 no 1)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 15 (pg 2 no 1)
Kreutzer #2, variation 16 (pg 2 no 2)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 16 (pg 2 no 2)
Kreutzer #2, variation 17 (pg 2 no 3)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 17 (pg 2 no 3)
Kreutzer #2, variation 17 (pg 2 no 3)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 17 (pg 2 no 3)
Kreutzer #2, variation 18 (pg 2 no 4)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 18 (pg 2 no 4)
Kreutzer #2, variation 18 (pg 2 no 4)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 18 (pg 2 no 4)
Kreutzer #2, variation 18 (pg 2 no 4)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 18 (pg 2 no 4)
Kreutzer #2, variation 19 (pg 2 no 5)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 19 (pg 2 no 5)
Kreutzer #2, variation 20 (pg 2 no 6)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 20 (pg 2 no 6)
Kreutzer #2, variation 21 (pg 2 no 7)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 21 (pg 2 no 7)
Kreutzer #2, variation 21 (pg 2 no 7)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 21 (pg 2 no 7)
Kreutzer #2, variation 22 (pg 2 no 8)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 22 (pg 2 no 8)
Kreutzer #2, variation 22 (pg 2 no 8)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 22 (pg 2 no 8)
Kreutzer #2, variation 23 (pg 2 no 9)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 23 (pg 2 no 9)
Kreutzer #2, variation 23 (pg 2 no 9)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 23 (pg 2 no 9)
Kreutzer #2, variation 24 (pg 2 no 10)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 24 (pg 2 no 10)
Kreutzer #2, variation 25 (pg 2 no 11)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 25 (pg 2 no 11)
Kreutzer #2, variation 25 (pg 2 no 11)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 25 (pg 2 no 11)
Kreutzer #2, variation 25 (pg 2 no 11)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 25 (pg 2 no 11)
Kreutzer #2, variation 26 (pg 2 no 12)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 26 (pg 2 no 12)
Kreutzer #2, variation 26 (pg 2 no 12)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 26 (pg 2 no 12)
Kreutzer #2, variation 26 (pg 2 no 12)
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #2, variation 26 (pg 2 no 12)
Kreutzer #3
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Allegro moderato
Kreutzer #3
Kreutzer #4
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major
Kreutzer #4
Kreutzer #4
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major
Kreutzer #4
Kreutzer #5, all variations
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, all variations
Kreutzer #5, variation 1
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 1
Kreutzer #5, variation 2
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 2
Kreutzer #5, variation 3
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 3
Kreutzer #5, variation 4
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 4
Kreutzer #5, variation 5
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 5
Kreutzer #5, variation 6
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 6
Kreutzer #5, variation 7
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 7
Kreutzer #5, variation 8
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 8
Kreutzer #5, variation 9
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 9
Kreutzer #5, variation 9
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 9
Kreutzer #5, variation 11
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 11
Kreutzer #5, variation 11
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 11
Kreutzer #5, variation 12
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 12
Kreutzer #5, variation 12
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 12
Kreutzer #5, variation 12
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 12
Kreutzer #5, variation 13
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 13
Kreutzer #5, variation 14
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 14
Kreutzer #5, variation 15
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 15
Kreutzer #5, variation 15
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 15
Kreutzer #5, variation 15
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 15
Kreutzer #5, variation 16
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 16
Kreutzer #5, variation 16
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 16
Kreutzer #5, variation 17
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 17
Kreutzer #5, variation 18
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 18
Kreutzer #5, variation 18
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
A-flat Major. Allegro moderato
Kreutzer #5, variation 18
Kreutzer #6
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Moderato. Martel
Kreutzer #6
Kreutzer #6
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Moderato. Martel
Kreutzer #6
Kreutzer #6
Approximate grade: RCM 6 / ASTA 5 / ABRSM 6-7
F Major. Moderato. Martel
Kreutzer #6
Kreutzer #7
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
G Major. Allegro assai
Kreutzer #7
Kreutzer #7
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
G Major. Allegro assai
Kreutzer #7
Kreutzer #7
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
G Major. Allegro assai
Kreutzer #7
Kreutzer #7
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
G Major. Allegro assai
Kreutzer #7
Kreutzer #8, all variations
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, all variations
Kreutzer #8, variation 1
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 1
Kreutzer #8, variation 2
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 2
Kreutzer #8, variation 3
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 3
Kreutzer #8, variation 3
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 3
Kreutzer #8, variation 4
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 4
Kreutzer #8, variation 4
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 4
Kreutzer #8, variation 4
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 4
Kreutzer #8, variation 5
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 5
Kreutzer #8, variation 5
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 5
Kreutzer #8, variation 6
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 6
Kreutzer #8, variation 7
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 7
Kreutzer #8, variation 8
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 8
Kreutzer #8, variation 9
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 9
Kreutzer #8, variation 9
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 9
Kreutzer #8, variation 9
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 9
Kreutzer #8, variation 10
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Allegro non troppo
Kreutzer #8, variation 10
Kreutzer #10
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
C Major. Allegro
Kreutzer #10
Kreutzer #11
Approximate grade: RCM 7 / ASTA 5-6 / ABRSM 7
A Major. Andante
Kreutzer #11
Kreutzer #12
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
D minor. Allegro moderato
Kreutzer #12
Kreutzer #13
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
D Major. Moderato
Kreutzer #13
Kreutzer #13
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
D Major. Moderato
Kreutzer #13
Kreutzer #13
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
D Major. Moderato
Kreutzer #13
Kreutzer #14
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
D Major. Moderato
Kreutzer #14
Kreutzer #14
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
D Major. Moderato
Kreutzer #14
Kreutzer #15
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
E-flat Major. Allegro non troppo
Kreutzer #15
Kreutzer #17, all variations
Approximate grade: RCM 8 / ASTA 5-6 / ABRSM 8
G Major. Moderato
Kreutzer #17, all variations
Kreutzer #18
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E-flat Major. Maestoso
Kreutzer #18
Kreutzer #18
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E-flat Major. Maestoso
Kreutzer #18
Kreutzer #18
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E-flat Major. Maestoso
Kreutzer #18
Kreutzer #19
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Moderato
  • Bow stroke  »  Accents -- see measure 44:
Kreutzer #19
Kreutzer #19
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Moderato
  • Bow stroke  »  Legato -- see measure 22:
Kreutzer #19
Kreutzer #19
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Moderato
Kreutzer #19
Kreutzer #19
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Moderato
Kreutzer #19
Kreutzer #19
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Moderato
Kreutzer #19
Kreutzer #20
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
D Major. Moderato
Kreutzer #20
Kreutzer #20
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
D Major. Moderato
Kreutzer #20
Kreutzer #20
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
D Major. Moderato
Kreutzer #20
Kreutzer #20
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
D Major. Moderato
Kreutzer #20
Kreutzer #21
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E minor. Moderato
  • Bow stroke  »  Accents -- see measure 2:
Kreutzer #21
Kreutzer #22
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
D-flat Major. Moderato
Kreutzer #22
Kreutzer #22
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
D-flat Major. Moderato
Kreutzer #22
Kreutzer #23
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E-flat Major. Adagio
Kreutzer #23
Kreutzer #23
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
E-flat Major. Adagio
Kreutzer #23
Kreutzer #24
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C Major. Allegro moderato
Kreutzer #24
Kreutzer #25
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
C minor. Allegro
Kreutzer #25
Kreutzer #26
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
A-flat Major. Moderato
Kreutzer #26
Kreutzer #26
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
A-flat Major. Moderato
Kreutzer #26
Kreutzer #26
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
A-flat Major. Moderato
Kreutzer #26
Kreutzer #27
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
G minor. Moderato
Kreutzer #27
Kreutzer #28
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
A minor. Grave
Kreutzer #28
Kreutzer #28
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
A minor. Grave
Kreutzer #28
Kreutzer #29
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G Major. Moderato
Kreutzer #29
Kreutzer #29
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G Major. Moderato
Kreutzer #29
Kreutzer #30
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
E-flat Major. Moderato
Kreutzer #30
Kreutzer #30
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
E-flat Major. Moderato
  • Bow stroke  »  Legato -- see measure 11:
Kreutzer #30
Kreutzer #30
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
E-flat Major. Moderato
Kreutzer #30
Kreutzer #32
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B-flat Major. Andante
Kreutzer #32
Kreutzer #33
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B-flat Major. Andante
  • Bow stroke  »  Legato -- see measure 16:
Kreutzer #33
Kreutzer #33
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B-flat Major. Andante
Kreutzer #33
Kreutzer #34
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G Major. Moderato
Kreutzer #34
Kreutzer #34
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G Major. Moderato
Kreutzer #34
Kreutzer #35
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
A-flat Major. Allegro maestoso
  • Bow stroke  »  Legato -- see measure 3:
Kreutzer #35
Kreutzer #35
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
A-flat Major. Allegro maestoso
  • Bow stroke  »  Legato -- see measure 14:
Kreutzer #35
Kreutzer #35
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
A-flat Major. Allegro maestoso
Kreutzer #35
Kreutzer #36
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
A minor. Allegretto
Kreutzer #36
Kreutzer #36
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
A minor. Allegretto
Kreutzer #36
Kreutzer #37
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B-flat minor. Allegro vivace
Kreutzer #37
Kreutzer #37
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B-flat minor. Allegro vivace
Kreutzer #37
Kreutzer #38
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G Major. Allegro moderato
Kreutzer #38
Kreutzer #39
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
D Major. Allegretto
  • Bow stroke  »  Legato -- see measure 58:
Kreutzer #39
Kreutzer #40
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
E-flat Major. Moderato
Kreutzer #40
Kreutzer #41
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B-flat Major. Adagio
Kreutzer #41
Kreutzer #41
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
B-flat Major. Adagio
Kreutzer #41
Kreutzer #42
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G minor. Moderato
  • Bow stroke  »  Legato -- see measure 48:
Kreutzer #42
Kreutzer #42
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
G minor. Moderato
Kreutzer #42
Martinů Rhythmic #1
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Allegro
Written for violin. Piano part shown in violin insert. No fingerings or bow direction markings.
  • Bow stroke  »  Accents -- see measure 23:
Martinů Rhythmic #1
Martinů Rhythmic #2 in 5/8
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Poco allegretto
Written for violin. Piano part shown in violin insert. No fingerings or bow direction markings.
Martinů Rhythmic #2 in 5/8
Martinů Rhythmic #3 in 7/8, 10/8, 11/8
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato
Written for violin. Piano part shown in violin insert. No fingerings or bow direction markings.
Martinů Rhythmic #3 in 7/8, 10/8, 11/8
Martinů Rhythmic #6 Jazzrhythmus
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegro moderato
Syncopation. Written for violin. Piano part shown in violin insert. No fingerings or bow direction markings.
  • Bow stroke  »  Accents -- see measure 28:
Martinů Rhythmic #6 Jazzrhythmus
Martinů Rhythmic #6 Jazzrhythmus
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegro moderato
Syncopation. Written for violin. Piano part shown in violin insert. No fingerings or bow direction markings.
Martinů Rhythmic #6 Jazzrhythmus
Martinů Rhythmic #7 mit Pausen
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto
In 3/16, 4/16, 1/8, 2/8, 3/8, 4/8, 5/8, 6/8, 7/8, 2/4, 3/4. Written for violin. Piano part shown in violin insert. No fingerings or bow direction markings.
  • Bow stroke  »  Staccato -- see measure 42:
Martinů Rhythmic #7 mit Pausen
Uhl Twenty Etudes #1
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Andante (dolce e molto espressivo). Metronome: Quarter note = 88
Uhl Twenty Etudes #1
Uhl Twenty Etudes #2, all variations
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto. Metronome: Quarter note = 104
Uhl Twenty Etudes #2, all variations
Uhl Twenty Etudes #2, variation a
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto (non spicc.). Metronome: Quarter note = 104
Uhl Twenty Etudes #2, variation a
Uhl Twenty Etudes #2, variation b
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto . Metronome: Quarter note = 104
Uhl Twenty Etudes #2, variation b
Uhl Twenty Etudes #2, variation c
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto . Metronome: Quarter note = 104
Uhl Twenty Etudes #2, variation c
Uhl Twenty Etudes #2, variation d
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto . Metronome: Quarter note = 104
Uhl Twenty Etudes #2, variation d
Uhl Twenty Etudes #2, variation e
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto . Metronome: Quarter note = 104
Uhl Twenty Etudes #2, variation e
Uhl Twenty Etudes #2, variation f
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto . Metronome: Quarter note = 104
Uhl Twenty Etudes #2, variation f
Uhl Twenty Etudes #3
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Giusto (deciso). Metronome: Quarter note = 108
  • Bow stroke  »  Accents -- see measure 4:
Uhl Twenty Etudes #3
Uhl Twenty Etudes #3
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Giusto (deciso). Metronome: Quarter note = 108
  • Bow stroke  »  Accents -- see measure 5:
Uhl Twenty Etudes #3
Uhl Twenty Etudes #3
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Giusto (deciso). Metronome: Quarter note = 108
  • Bow stroke  »  Staccato -- see measure 4:
Uhl Twenty Etudes #3
Uhl Twenty Etudes #5
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Con Grandezza (sempre marcato e ben tenuto). Metronome: Half note = 138
Uhl Twenty Etudes #5
Uhl Twenty Etudes #6
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Allegro moderato. Metronome: Half note plus eighth note = 76
  • Bow stroke  »  Legato -- see measure 1:
Uhl Twenty Etudes #6
Uhl Twenty Etudes #7
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Lento. Metronome: Half note = 72
Uhl Twenty Etudes #7
Uhl Twenty Etudes #8
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegretto (scherzando). Metronome: Quarter note = 120
  • Bow stroke  »  Staccato -- see measure 1:
Uhl Twenty Etudes #8
Uhl Twenty Etudes #9
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Maestoso (marcato, espressivo, tenuto). Metronome: Quarter note = 76
Uhl Twenty Etudes #9
Uhl Twenty Etudes #9
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Maestoso (marcato, espressivo, tenuto). Metronome: Quarter note = 76
Uhl Twenty Etudes #9
Uhl Twenty Etudes #12, all variations
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato. Metronome: Quarter note = 92
Uhl Twenty Etudes #12, all variations
Uhl Twenty Etudes #12, all variations
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato. Metronome: Quarter note = 92
  • Bow stroke  »  Legato -- see measure 17:
Uhl Twenty Etudes #12, all variations
Uhl Twenty Etudes #12, variation a
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato (spicc.). Metronome: Quarter note = 92
Uhl Twenty Etudes #12, variation a
Uhl Twenty Etudes #12, variation b
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato (non spicc.). Metronome: Quarter note = 92
Uhl Twenty Etudes #12, variation b
Uhl Twenty Etudes #12, variation c
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato. Metronome: Quarter note = 92
Uhl Twenty Etudes #12, variation c
Uhl Twenty Etudes #12, variation d
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato. Metronome: Quarter note = 92
Uhl Twenty Etudes #12, variation d
Uhl Twenty Etudes #12, variation d
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato. Metronome: Quarter note = 92
Uhl Twenty Etudes #12, variation d
Uhl Twenty Etudes #12, variation e
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato. Metronome: Quarter note = 92
Uhl Twenty Etudes #12, variation e
Uhl Twenty Etudes #12, variation e
Approximate grade: RCM 9 / ASTA 6 / ABRSM 8
Atonal. Moderato. Metronome: Quarter note = 92
Uhl Twenty Etudes #12, variation e
Uhl Twenty Etudes #14
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Grave (patetico, marcato). Metronome: Quarter note = 84
Combines duple groupings with triplets.
Uhl Twenty Etudes #14
Uhl Twenty Etudes #15
Approximate grade: RCM ARCT / ASTA 6+ / ABRSM 8+
Atonal. Con anima. Metronome: Quarter note = 96
Uhl Twenty Etudes #15
Uhl Twenty Etudes #16
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Con affetto (doloroso). Metronome: Dotted quarter note = 58
  • Bow stroke  »  Legato -- see measure 1:
Uhl Twenty Etudes #16
Uhl Twenty Etudes #17
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Andante misterioso (con sordino). Metronome: Quarter note = 88
  • Bow stroke  »  Tremolo -- see measure 42:
Uhl Twenty Etudes #17
Uhl Twenty Etudes #18, all variations
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegro brillante. Metronome: Quarter note = 132
Uhl Twenty Etudes #18, all variations
Uhl Twenty Etudes #18, variation a
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegro brillante. Metronome: Quarter note = 132
Uhl Twenty Etudes #18, variation a
Uhl Twenty Etudes #18, variation b
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegro brillante. Metronome: Quarter note = 132
Uhl Twenty Etudes #18, variation b
Uhl Twenty Etudes #18, variation c
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Allegro brillante. Metronome: Quarter note = 132
Uhl Twenty Etudes #18, variation c
Uhl Twenty Etudes #19
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Animato. Metronome: Half note = 96
  • Bow stroke  »  Legato -- see measure 8:
Uhl Twenty Etudes #19
Uhl Twenty Etudes #19
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Animato. Metronome: Half note = 96
  • Bow stroke  »  Spiccato -- see measure 1:
Uhl Twenty Etudes #19
Uhl Twenty Etudes #19
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Animato. Metronome: Half note = 96
Uhl Twenty Etudes #19
Uhl Twenty Etudes #20
Approximate grade: RCM 10 / ASTA 6 / ABRSM 8
Atonal. Agitato. Metronome: Eighth note = 200
  • Bow stroke  »  Accents -- see measure 45:
Uhl Twenty Etudes #20